Table For Two - Book Tour and Giveaway

 In Eliot Parker’s engrossing Table for Two, human connection anchors the core. Through a collection of modern short stories, Parker deftly explores the nature of relationships: temporal and abiding.

Table For Two
A Collection of Short Stories
by Eliot Parker
Genre: Contemporary Fiction, Short Stories

Conversation is more than just words being spoken, interpreted, and acted upon by others. Conversation is also the ultimate human interest activity, bringing people into direct contact with people in all of their complexity and vulnerability. The main characters in Parker's ten multi-genre stories set in the heart of Appalachia want to be heard; to have others listen to them-really listen-and understand their needs and concerns.

 The characters in these stories do not always get listened to, and many of them find that the need for attention comes from aggression. A woman confronts her father about his dementia. Two fathers whose guilt and shame over the disappearances of their sons hide more sinister motives. A young boy frustrated with a ring appraisal learns a lesson about how people and things can be valued equally. Each of the characters in the collection is faced with a balance of talking and listening with a need for action, which often leads to manipulation and coercion.

The characters in these stories want to be heard; to have others listen to them-really listen-and understand their needs and concerns. However, when they do not get listened to, there is often an attempted persuasion by aggression. One character often finds himself/herself faced with another character who believes that conversation has no place in their lives.

The belief of the antagonists in these stories is that- who needs to talk when there is action that needs to be done? The antagonists believe that there is no need for conversation when the protagonist can be manipulated, coerced, or discredited by actions. Each story is a thrilling adventure with unexpected turns. Parker's honest and provocative prose will captivate readers with its urgency.


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​From the Stars Above

There was something about him that kept him going. He was a man of conviction.
Tabitha had been jogging in the park and was surprised that on a warm, fall evening, she was the only person jogging on the trails. The greenery around her became charcoal and the grey path was melting into the night.
His figure was discernable as she ran closer. To avoid scaring him, she slowed her run. As the distance between her and the man grew larger, Tabitha studied him intently. He was tall and courtly, with strands of white in his hair. He walked about with no particular destination in mind.
Tabitha squinted below the low-hanging moon. It had been a typical fall day in Southern Ohio. The dry, sharp, and prickly smell that permeated the air when Tabitha was out on her early morning run had been replaced with the rustling noise of orange maple leaves that floated around the sidewalks. The howling wind snaked between the rough and ragged trunks of the sweet gum trees that lined the park.
She thought about the man for a moment longer. There was something about him that hinted at there being more. He wore a button-down, red plaid shirt, blue jeans, and a pair of brown sneakers. But was that really unique? Maybe it was the face. Tabitha decided to break the silence to learn more. “Sir, are you alright?” Tabitha locked her gaze dead ahead.
The old man had not heard her, so he kept walking. Tabitha heard the snaps of twigs ahead as his feet were jabbed by leaves and pebbles on the path.
“Sir?” The park grew ever darker. Tabitha had been taking early evening runs in the park for several years and she knew that soon the shadows of the trees would blend into the blackness and his silhouette would grow less pronounced. She looked up and caught a glimpse of the moon as a dark cloud drew close, threatening to erase its silver rays. Tabitha felt her heart continue to slam into her chest, despite the lack of running. She had an elderly mother herself at home and knew people their age should not be left alone meandering in the dark. Before Tabitha could call out again, the man stopped walking and slowly turned around.
“Lance,” said the man. “My name is Lance.”
“Alright, Lance, I’m Tabitha,” she said, introducing herself. “What, may I ask, are you doing here by yourself?”
Lance did not respond, but Tabitha knew he had not heard her question. His sea-blue eyes were rheumy and the corners flecked with dry tears. His eyes pulsed with intensity, but they darted back and forth like he was expecting something to happen at any second.
Tabitha had seen that look before. Her mother often gave the same facial expressions. Though the doctors had not made any diagnosis, she had researched all of her symptoms, including the hesitant steps and difficulty with visuospatial tasks such as going up and down stairs. It was dementia. Could Lance be suffering from the same disease? Tabitha blinked away the thought. She had only watched Lance for several seconds and his indicators could be caused by other conditions. What was considered normal for every individual was always different.
Before Tabitha could say anything else, Lance threw up his arms, then dug a heel into the path and spun around. In another flurry of motion, Lance was scurrying off in the opposite direction from where Tabitha had caught him.
Confused and worried, she went after him, knowing it was the right thing to do. His shadow grew tight and narrow as he turned around a sharp bend in the path, disappearing into a dark maw between the space of two large tree trunks. Tabitha retrieved her iPhone from her pocket and called 911. “Lance, wait!” she called after him when he had sauntered dangerously away from her line of sight.
“911, what’s your emergency?” said a woman from the other side of the phone. Tabitha was forced to divide her attention between going after Lance and talking on her phone.
“Please send someone to the trail lane at Jackson Lake State Park. I, I mean we, just passed marker 404. A man needs help. Please hurry.”
“Is he in immediate danger? What’s going on, ma’am?” asked the woman with a rote tone of formality.
“No, nothing serious. He is old and lost, dawdling around at a time like this … I look after my mom. She has dementia. He’s … it’s…” Tabitha had a feeling she could not explain. Something in her gut. “I—I think this man, Lance, has dementia, too.” But just when Tabitha thought she had caught up with Lance, he had disappeared.

Eliot Parker is the author of the thriller novel A FINAL CALL, which was named a "Best Indie Book to Discover in 2022" by Kirkus Magazine and was a finalist in thriller novel from the London Book Festival. His short story collection SNAPSHOTS, won the 2020 PenCraft Literary Award and the 2021 Feathered Quill Book Award for Short Story Anthology. His thriller novel, A KNIFE'S EDGE, was an Amazon #1 bestseller. Eliot has received the West Virginia Literary Merit Award for his works and has also been a finalist for the Southern Book Prize in Thriller Writing in 2016 for his novel FRAGILE BRILLIANCE.

He hosts the podcast program, "Now Appalachia" on the Authors on the Air Global Radio Network, which profiles authors, editors, and publishers in the Appalachian region. He also hosts a Youtube/Booktube program called "Page Break," featuring book reviews, interviews with authors, and news about the publishing industry.
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A graduate of the Bluegrass Writers Studio at Eastern Kentucky University with his M.F.A. in Creative Writing and a graduate of Murray State University with his Doctorate in English, Eliot teaches writing that the University of Mississippi. For more information, visit his website http://www.eliotparker.com


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Where were you born/grew up at?
Charleston, West Virginia

Describe yourself in 5 words or less:
Passionate, loyal, anxious, stubborn, thinker

What do you do to unwind and relax?
Read and take long walks. I also like to play basketball, which I do very badly, but it's good exercise.

What inspired you to write this book?
I've always been a big reader of short stories. As a writer, I feel like I learned the conventions of language, word choice, plot, etc. from writing short stories. The idea for this collection came from conversations I had with people after the pandemic ended. I heard so many people say they missed being able to have one-on-one conversations with other people, face-to-face, during the pandemic without having to worry about wearing masks, getting too close to each other, etc. I decided to challenge myself as a writer and see if I could write a series of multi-genre short stories where the central tensions involve two-person conversations. It was a great challenge to write these stories, but also a lot of fun.

How did you come up with the name of this book?
The name came from the central story in the collection, titled TABLE FOR TWO, about a man who celebrates a special occasion with his partner, even though his partner has been dead for some time.

What is Your Favorite Part of the Book and Why?
My favorite part of the book is that all of these stories are a blend of mystery, pain, and unexpected kindness, creating a tapestry of experiences that I hope will resonate deeply with the reader. 

What Are Your Top 10 Favorite books/authors?
East of Eden by John Steinbeck
The Scarlet Letter by Nathaniel Hawthorne
The Bluest Eye by Toni Morrison
Charlie and the Chocolate Factory by Roald Dahl
To Kill a Mockingbird by Harper Lee
The Prince of Tides by Pat Conroy
All the Colors of the Dark by Chris Whitaker
John Adams by David McCullough
A Prayer for Owen Meany by John Irving
Proof by David Auburn

What do you think about the current publishing market?
I think when writers are pitching their projects to publishers, they need to ask themselves, is the publisher a book producer or a book publisher? There is a difference and the experience for the author and the book will be vastly different depending on which one they chose.

What is your writing Kryptonite?
Dialogue. It's a challenge for me to ensure that not all of the characters "talk" the same way. I also struggle with trying not to have characters sounding like soap opera actors in terms of having characters talk to each other instead of past each other, like they often do in soap operas. 

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