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His Red Eminence - Book Tour and Giveaway

4/30/2019

19 Comments

 
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His Red Eminence
Armand-Jean du Plessis de Richelieu
by Laurel A. Rockefeller
Genre: Historical Fiction

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Priest. Lover. Statesman.

From the author of the best-selling “Legendary Women of World History” series ...

Cardinal Armand-Jean du Plessis, duc de Richelieu is one of the most famous -- or infamous politicians of all time. Made a villain in the popular Dumas novel, "The Three Musketeers," the real man was a dedicated public servant loyal to king and country. A man of logic and reason, he transformed how we think about nations and nationality. He secularized wars between countries, patronized the arts for the sake of the public good, founded the first newspaper in France, and created France as the modern country we know today.

Filled with period music, dance, and plenty of romance, "His Red Eminence" transports you back to the court of King Louis XIII in all its vibrant and living color.

Includes eight period songs, plus prayers, a detailed timeline, and extensive bibliography so you can keep learning.




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​“The king calls into His Presence, Armand-Jean du Plessis de Richelieu, bishop of Luçon,” summoned the herald.
Obediently, Richelieu emerged from the crowded courtiers and bowed in front of the king, “Your Majesty! How may I be of service?”
King Louis stood up from his throne, “There is someone here to see you.” Motioning, a monk appeared and kneeled before the king, “I believe you know my guest, François-Joseph le Clerc du Tremblay?”
Armand smiled, “Père Joseph! Salut! Comment ça va, mon ami?”
Père Joseph embraced him, “Ça va bien, Armand! It is good to see you!”
“What brings you to court?”
“A special mission from Pope Gregory XV.”
“Oh?”
King Louis stepped towards Richelieu and patted him on the back, “You’ve been awarded a very special honour in gratitude for your service to my crown.”
Père Joseph placed the scarlet biretta of a prince of the church on Armand’s head, “By order of Pope Gregory XV on the fifth of September in the year of our Lord sixteen twenty-two, you are named to the college of cardinals.”
King Louis half-giggled with pride, “Congratulations Cardinal Richelieu.”
“A mighty gift indeed and a great honor, especially coming from both of you,” bowed Cardinal Richelieu as he struggled to keep his composure.
“The pope has more gifts for you which I’ve sent to your apartment, though perhaps the king has better accommodations to offer you that are better suited for a prince of the church?” suggested Père Joseph.
“That is an excellent idea, Père Joseph!” agreed King Louis.
“Most kind of you. Too kind. Please, Your Majesty may I retire from Your Presence? I am suddenly feeling indisposed and would prefer to suffer my illness in private if I may?” begged Cardinal Richelieu.
“You conceal it well, Your Eminence. But perhaps your Anne might know of something to help you feel better? Please tell me you brought her to Paris? For a woman she is the most excellent physician!” prattled the king.
“She will be most glad to hear you speak so favourably of her,” bowed Cardinal Richelieu as he quickly backed away from the royal presence. Feeling weak in his knees and terrified of the biretta on his head, Armand raced through the Louvre. Crossing the street to Notre Dame de Paris, he lit a candle and tried to pray. Sensing him from a far, Anne walked up behind him and knelt beside him. Armand began to weep. Anne caressed him comfortingly. Overcome with terror and foreboding, he clung to her, kissing her wildly until his deeper instincts took hold. Weeping, he lowered her to the floor, his hands and body set in motion by his blinding terror, love, and sorrow, the sounds of his sobs mingling with those her body and his made in response to his lovemaking. Armand’s body started to glow softly and uncontrollably with warmth and power. Anne held him close to her as his entire body trembled and he poured himself into her, half-screaming.
Anne brushed away his tears as she felt his completion and with it the waves of both physical and spiritual energy she knew would come of it, “C’est accompli, Mon Eminence.”
Cardinal Richelieu met her eyes, his gaze blinded by his tears, “Je ne comprends pas.”
Anne kissed him, “God has blessed you, Your Eminence.” Aware of their surroundings, Anne broke his embrace and sat up, “Come! This is no place for a priest, let alone a cardinal to be found like this. If someone were to see us like this …”
Armand took a deep breath, awestruck at her composure when he himself was still caught up in the emotions that drove his recklessness, “...agreed!  You are so good to me. Yielding always to what I want and need and never complaining. I don’t deserve you.”
Anne found her feet, “No you don’t—but you have me anyway. Will you walk me home, Eminence?”
Armand found his feet and put back on his head the biretta awarded to him, “Yes, of course.”  Walking calming through the church together, they both breathed with relief as the doors closed behind them and they headed for home.


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Born, raised, and educated in Lincoln, Nebraska USA Laurel A. Rockefeller is author of over twenty books published and self-published since August, 2012 and in languages ranging from Welsh to Spanish to Chinese and everything in between. A dedicated scholar and biographical historian, Ms. Rockefeller is passionate about education and improving history literacy worldwide. 

With her lyrical writing style, Laurel's books are as beautiful to read as they are informative.

In her spare time, Laurel enjoys spending time with her cockatiels, attending living history activities, travelling to historic places in both the United States and United Kingdom, and watching classic motion pictures and classic television series.



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The Downton Abbey Effect
Cottages and Palaces in “His Red Eminence”

By Laurel A. Rockefeller


“Downton Abbey.” Few period dramas have earned the critical acclaim and popularity as the story of its Crawley family as they navigate the dramatic changes faced in the early 20th century. Featuring lavish estates and stories centred on both the upstairs nobles and downstairs servants, it can be no wonder so many of us are excited about the September 2019 release of a theatrical film that continues the stories of these beloved characters.
Important to Downton Abbey’s appeal stems from its window into how the upper classes live and how they interact with the servants whose labours empower their lifestyle. It’s a time gone by for nearly all of us, a culture few of us experience or understand. A culture that was very much part of life in 17th century France.
In “His Red Eminence, Armand-Jean du Plessis de Richelieu” we are taken through the good cardinal’s entire adult life, starting at the age of twenty when he was a student at his beloved Sorbonne. Along the way, he lived in everything from a spartan dormitory to modest cottages to palaces. Each of these held a very different lifestyle. Each of them enlightened by watching “Downtown Abbey.” Let’s take a look at his homes.


Du Plessis Manor/Château Richelieu – Poitou (1585-1594, intermittent thereafter)
The cardinal’s childhood home was the medieval manor built by his ancestors and resided at for centuries. The 16th century Wars of Religion which ultimately claimed the life of Armand’s father François in 1590 bankrupted the family, forcing Armand’s mother Suzanne de la Porte to cut what few staff they had before. Odds are the frugality Suzanne de la Porte imposed on her household meant Armand grew up with few if any of the luxuries normally enjoyed by the nobility, a simplicity in lifestyle he maintained for the rest of his life.
Upon the death of his father in 1590, eldest brother Henri du Plessis became Seigneur de Richelieu. Through political skill and the kindness of King Henri IV, Henri improved the du Plessis fortunes by convincing the king to appoint Armand as Bishop of Luçon and with it, a yearly income of 15,000 livres for his brother and, by extension, the family. 
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(engraving of the Château Richelieu before its demolition in 1805.)

As Armand’s career improved over the years, he invested in the family home, transforming it in the Château Richelieu built by architect Jacques Lemercier, and employing a proper household staff to attend him whenever he or other family members stayed there. From footmen to housemaids, valets, and lady’s maids, the château scenes in chapter twelve are modelled closely after those in Downton Abbey and the many adventures of those who lived there, both upstairs and downstairs.

Dormitory at the Sorbonne (1606-1607)
Like most students, Armand-Jean lived simply in a bedroom that served as bedroom, library, office, and beyond. He probably shared both a kitchen and lavatory with others living in the same building. It is the style of life most familiar to us today and therefore most relatable.

Bishop’s Mansion – Luçon (1608-1614)
More spacious than his dormitory, ordination as a priest and investiture as a bishop was a step up for His Excellency, Bishop du Plessis. As bishop he lived in a parsonage where he lived, maintained an office complete with a secretary, and entertained. No less than a cook and a housekeeper maintained the residence and probably other servants as well, though likely fewer than ten altogether. Though the sizes of bishop mansions varied with the wealth and important of individual dioceses, the mansion in Luçon probably maintained at least five guest bedrooms in addition to the master bedroom the bishop occupied and those reserved on the top floor for residential staff.

Mansions – Blois and Avignon Exiles (1617-1620)
Historically speaking, we know essentially nothing about where exactly Bishop du Plessis lived during his years in exile in Blois and Avignon created by his service to Marie de Medici. As a civil servant, he most likely lived in the same home as the dowager queen while in Blois. Given Marie de Medici was essentially running a quasi-independent, rival French government, it is logical to deduce that she and her staff (du Plessis included) lived in a modest mansion sufficiently sized to accommodate a household of at least thirty and probably closer to sixty. Upon being ordered away from de Medici in the form of being sent to Avignon, Bishop du Plessis and those exiled with him probably experienced a more scaled down version of his life in Blois with a smaller mansion-prison and fewer staff, but still attended somewhat by cooks, housekeepers, and perhaps a footman or two whose real function was to enforce the house arrest while spying on the prisoners.

Parisian Cottages (1614-1617, 1620-1629)
In September, 1614 Bishop du Plessis arrived in Paris as a delegate from Poitou representing its clergy at the meeting of the Estates-General in Paris. Though we know nothing about how or where the bishop was housed, it was most likely a modest cottage not unlike Crawley House in Downton Abbey. The bishop probably had a cook and a housekeeper to look after him. Upon being appointed to the large stream of government positions showcased in “Eminence” that staff level would have slowed increased, but rarely exceeding more than five or ten total servants plus or minus the red guards who protected his person. These cottages probably looked and felt a great deal like Crawley House, modest but comfortable, but better suited to city life than the rural-centric Crawley House.

Apartment at the Louvre (intermittent, 1622-1629)
Living at the Louvre was a special honour granted as a reward to favourite courtiers. It was also given to those ministers the king wanted kept close to him—either because he wanted him closely watched and/or because he needed that minister available to him at all hours of the day and night.
As seen in “Eminence,” Richelieu most likely divided his residency between an apartment in the Louvre and a nearby cottage. While staying at the Louvre, housemaids would have kept his apartment tidy and cooks would have provided him with his meals. Footmen summoned him into the royal presence.
Following his 1628 success at La Rochelle, King Louis XIII gifted him with his own estate mere metres from the Louvre which Richelieu designed with architect Jacques Lemercier, the Palais Cardinal, a grand home that survives to this day as the “Palais Royal.”

Palais Cardinal (1629-1642)
In 1629 Jacques Lemercier completed the Palais Cardinal, the ultra-modern palace estate which became Cardinal Richelieu’s principle residence from 1629 until his death on 4 December, 1642. The Palais Cardinal featured Paris’ first theatre at which the many plays Richelieu penned were performed. Though the cardinal maintained the simple lifestyle one expects of a parish priest, he spent generously on a massive household staff at the Palais Cardinal. With an income exceeding two million livres per year at the end of his life, he could afford it. But as with everything else, his spending was far more about the principle than his own needs or interests. In patronizing the visual, dramatic, and musical arts at the Palais, he fostered French culture in ways he believed were essential to the longevity of the State. In offering employment to a far larger household staff than he needed, he invested in his community.


In the end, Armand-Jean du Plessis, cardinal and duc de Richelieu was not the mean-spirited and heartless villain of the Dumas novels, but rather the kind, extremely generous, and far-sighted statesman who invested in people, in the arts, in long-term diplomacy, and in a strong, unified France. Instead of using his income from government service for his own creature comforts and agendas, he invested in the French people, in French culture, and in the French State.
The fictional Earl of Grantham considered himself the custodian of Downtown Abbey. The very real Cardinal Richelieu made himself the custodian of France itself. Few ministers have done more or served better than His Red Eminence, Armand-Jean du Plessis de Richelieu.

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19 Comments
heather
4/30/2019 02:06:53 pm

This sounds like a great book and I like the cover too. Good luck on the tour.

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Laurel A. Rockefeller link
5/1/2019 03:21:00 am

Thank you, Heather. Is there anything I can answer for you about Cardinal Richelieu, his times, and/or this slightly fictionalized biography?

One thing this book does very well is highlight the roles women played in empowering men like Richelieu to succeed. No one is an island, yet we allow women to fade out of history and into oblivion. We don't know the actual name of the woman or women whose service and assistance empowered Richelieu -- but we know she or they existed. This story makes an educated guess about her based on everything I could discover about Richelieu and his context.

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Leland G.
5/1/2019 07:46:47 am

Oh wow, this looks like an amazing book! I've been in love with the Musketeers since I was a young 'un and it will be interesting to find out more of who I thought was a villain! Spectacular guest post, I really enjoyed reading it ;)

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Laurel A. Rockefeller link
5/1/2019 08:08:55 am

Thanks, Leland. :) You will be absolutely STUNNED how far from history Alexandre Dumas took these very real people from who they were. Two of the four Musketeers were PROTESTANTS. Only one -- Captain Treville -- served before 1640 (Richelieu died in 1642).

You'll be happy I put Treville (real name Jean-Armand du Peyrer) in the story several times. Matter of fact, there is a scene where King Louis promotes him to Captain Lieutenant and names him Compte de Trois-ville (Treville). You'll find that in chapter ten, "Confessions."

There's even a section in the bibliography dedicated specifically to Alexandre Dumas, his books, and the real men behind them that I know you'll love.

Reply
Kelly Nicholson
5/1/2019 10:21:20 pm

What do you think of the book or the cover?

still waiting for the best musketeers movie or book

Reply
Laurel A. Rockefeller link
5/2/2019 02:11:03 am

Depends on what you are looking for. Eminence is a biography focusing on the life of Cardinal Richelieu. It's almost entirely factual. The Dumas novels are anything but. For one thing, except for Treville (properly, the Compte de Trois-Ville) the Musketeers of the Dumas novels served LOUIS XIV, not Louis XIII! Also the infamous Duke of Buckingham of the novels -- HOMOSEXUAL.

You find out all of this in Eminence.

Incidentally, there was no rivalry between the red guards who protected First Minister Cardinal Richelieu and the Musketeers. Each regiment was essentially a private security force -- except the Musketeers were often sent to augment the army.

This is not at all what you see in the novels.

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bn100
5/2/2019 09:46:21 pm

cool

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LaCinda Brooks
5/3/2019 09:11:35 am

The book looks amazing and I love the cover.

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Laurel A. Rockefeller link
5/3/2019 09:21:39 am

Thank you very much. Eminence is a very special book. It was written in just under two months, but is my longest book ever in my seven year career as a self-published author. Many stories to tell about the writing and research for it, of course. :)

Philippe de Champaigne painted that portrait in 1640, about two years before the good cardinal's death on 4 December, 1642. I then added the cardinal's personal heraldry as duc de Richelieu and of course matched the text to his hair and his collar.

If you go to my website, http://www.laurelarockefeller.com you will see that heraldry on book covers is something I'm a bit known for. Most of my books, be they fiction or non-fiction, feature some sort of heraldic emblazon or iconography (as is the case of the chi-ro symbol for Christianity on the Hypatia cover). Nice recurring theme going on there.

Do you have any questions for me?

Reply
Kathy Cozzarelli
5/6/2019 02:57:52 pm

It will be interesting to read about the real person who inspired the bad guy in The Three Musketeers.

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Laurel A. Rockefeller link
5/6/2019 03:08:00 pm

His life IS very interesting.

You'll find the real man to be dramatically different from the character Dumas created. Dumas needed a bad guy and he took advantage of Richelieu's poor understanding of economics (and the resulting bad feelings from heavy taxes) to create someone you were meant to hate. Though Richelieu was not well liked -- especially by the upper classes -- his political instincts for creating a stable and secure nation of France are unmatched in French history.

You'll love seeing how all that played out. I hope also you'll enjoy the love story, seeing his softer side. A man very much in love with the woman who gave up everything to help him succeed -- so much like countless women across history.

Reply
Laurel A. Rockefeller link
5/6/2019 03:14:43 pm

A blogger on this same tour from Belgium just sent me some information designed to help with the next tour this summer about Mary Queen of Scots. But as it happens, it enlightens (and shows me incorrect in this guest post) about the Blois exile. Unbeknownst to me, Chateau Blois was very important in the Valois dynasty and therefore was the most likely place Louis XIII sent his mother when she was sent to Blois for her exile. http://www.marie-stuart.co.uk/France/Blois.htm

As you'll read in the book, Marie de Medici was Henri IV's second wife. Therefore, it only makes sense she would be sent to Chateau Blois.

Reply
Devon Pickford
5/14/2019 09:13:52 am

Sounds like a cool period piece!

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Laurel A Rockefeller link
5/14/2019 09:25:07 am

Thank you, Devon. Is there anything about the cardinal you would like answered right now?

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Donna C.
5/20/2019 09:22:24 am

I love books based on history. Was the research difficult? I love the cover!

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Laurel A. Rockefeller link
5/20/2019 10:05:12 am

Thank you, Donna!

Unlike the nine Legendary Women of World History biographies written so far, Eminence has the good fortune of being directed grounded in Richelieu's own words, "The Political Testament of Cardinal Richelieu" is a must read if you want to look at the world from the cardinal's eyes. So much of what you see in the book comes directly or indirectly from Political Testament. So in that regard, the research was easier than my other biographies. I didn't have to guess what du Plessis thought because I have his own words to quote and reference.

More than any other book I've written to date, I was able to directly quote him -- though you might not realize I'm doing it because of the way I so seamlessly integrate his words into the dialogue. There are also of course quotes from Mary Queen of Scots -- look for the bookshop scene where one of Queen Mary's poems is read aloud.

Another resource for direct quotes was a website (cited in the bibliography) of top quotes by Cardinal Richelieu. So yes, he actually did make that remark about the importance of letting people buy bread and flour before letting businesses buy it. And he really did say that no one was his equal.

The cover is a blend of Philippe de Champaigne's portrait from 1640 (completed a mere 2 years before Richelieu's death) with his personal heraldry as the duc de Richelieu. I am rather notorious for including heraldry in my book covers (both fiction and non-fiction); Eminence is absolutely no exception to that rule.

FYI, the reason why we call him Richelieu (a geographical indicator) instead of his surname du Plessis is two fold: 1 - his older brother Alphonse (archbishop de Lyon) was also elevated to cardinal and 2 - the king made him the "duc de Richelieu." In his signature to the opening letter in Political Testament he signs his name, "Armand, Cardinal Duc de Richelieu."

Reply
Daniel M
5/23/2019 06:40:38 pm

like the cover

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thomas juarez
5/30/2019 05:48:55 pm

sounds extremely detailed and informative

Reply
Laurel A Rockefeller
5/30/2019 06:11:09 pm

Thank you, Thomas! Yes, it is very much so. Like the Legendary Women of World History biographies, Eminence features an extensive timeline, bibliography, and other useful and educational reference materials -- including all eight songs in one place. I think you'll love it!

Reply



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